Alien ‘Abduction’: Culture to Adopt as Yours/The Torture and Subversion of Whites in Film and Music

May 12, 2017

Most people don’t know that (((Steven Spielberg))) was planning a sequel to his hit movie ‘E.T’.

It was going to have carnivorous aliens who come to earth to find yet another E.T. left behind. They are from a different ‘tribe’ than ET from the first movie-they are ‘evil’ and don’t believe the children when they tell them ET already ‘done gone home!’

So they torture the children, they paralyze and mutilate animals (kind of like a kosher slaughterhouse interestingly), and so on—somehow after all of this kid torture the film would have a ‘happy ending’.

The ‘happy ending’ though is that it never made it to the screen.

But plenty of Spielberg’s similar inner workings did. The filming of the ‘Poltergeist’ series was especially grueling-even to the adults of the film, let alone the children. Actress JoBeth Williams was raked against the walls over and over for one scene. Spielberg Produced the films and had Tobe Hooper direct. The particular focus of fear and fright in these films was the little girl character named ‘Carol Anne’. Blonde and blue eyed, and tormented by ghosts. In real life, the second Poltergeist film was so terrorizing that Heather O’Rourke (who played Carol Anne) was so terrified at one point she went into full panic mode. They shut down filming for a bit and Spielberg held her. Aww. They tell that story as though it’s an example of a real sweet guy who cares about the children so much he’s willing to lose a couple shekels for the day.

Heather O’Rourke was extremely ill during the filming of the third film. She died not long after of a bowel obstruction, before the film was even released.

Judith Barsi was in ‘Jaws’. She was being so severely abused at home that she pulled all her own eyelashes out-she was murdered by her own father at age 11. These are the kinds of parents that trot their children around for money.

Spielberg’s ‘Jurassic Park’ has lots of scenes with the terrified Ariana Richards, blue eyes wild with fright and blond hair.

Spielberg also remade ‘War of the Worlds’ with Tom Cruise and Dakota Fanning, and it had this little blond blue eyed terrified child theme as well, as did his ‘Super 8’ film with Dakota’s sister, Elle Fanning. The original WOTW did not have this component.

Spielberg had a lifelong ‘friendship’ with Drew Barrymore. She was in the film ‘Firestarter’, directed by Jew Mark Lester-the story written by Jew Stephen King. The film is full of pedophilic overtones, and of course the theme of the scared, crying blond child.

Theme: evil steals your blond child away-and in a horiffic fashion, not quietly.

This is what they want to see. They have a ‘thing’ for terrorizing white children. They want you to get used to it. Then you won’t be alarmed when it’s happening for real. And not from ghosts or genetically engineered dinosaurs, but niggers.

This de-volution has taken place in music as well. What passed for ‘rap’ and ‘hip hop’ in the eighties was mild compared to what was ahead. By the nineties it was violent and gross. For the last seventeen years it’s oozed into the mainstream, and now it dominated the landscape of music. Your choices from ‘Premiere Radio Network’ or ‘Clear Channel’ are ‘hillbilly who loves Jesus’ music, ‘hair band’ rock, or ‘crap hop’ filth. Yay, choices.

Of course a lot of this has to do with conglomerates, and that ties in to the ownership of (((Mass Media))) in  but a few very kosher hands.

I have been absolutely certain for over two decades that media is trying to destroy society via t.v., radio, film, music, and print media—but did not understand ‘why’. They have to live in this world, too—why would they encourage people to see thousands of murders and rapes on their t.v.’s before age 10? What is the purpose of it?

When you are Jew aware it makes sense. After all, that’s whose doing it. That’s who owns media. This destruction is not for their people—it’s for the masses. Everybody else.

Chassidic Jews and other Orthodox Jews never watch TV, nor go to films. This is extreme, but they, of all people, know what is on the TV, and why. So they  avoid.

Jerry Mander, who wrote ‘Four Arguments for the Elimination of Television’ in the seventies, said most in advertising that he knew did not watch, nor let their children watch, television. This is because they understand the purpose of what is on the television—the effect it has and the power to alter behavior.

You know who else doesn’t watch tv? Most in the CIA. Wiki-Leaks just released documents about the Samsung Smart TV that can spy on you. As shocked as some people are—this is not the first such device. Cathode ray tubing already had that capability—all the way back to the beginning of t.v.

Cathode ray tubing and the ‘blue’ light used for imagery on television is the reason the viewer turns into a so-called ‘couch potato’. The brain, upon viewing the flashing images with that type of lighting, goes into alpha waves. The subliminal mind picks up these images that are flashed subtly or quickly—too quick for the overt mind to notice. But the mind is an amazing organ, and it picks up everything and stores it. When in alpha waves, a person is less reactive and more suggestible. It’s why you can watch something occur that in real life would make you recoil, yet you continue to watch. A murder scene in front of you would look, sound, and smell very different than your semi-hypnotic state of mind t.v. murder experience. But after thousands of viewings, you will respond differently to real life experiences. You’re authentic self has been altered-over time and without you realizing it.

But back to music, and the introduction of foreign behavior until it is ‘accepted’ by the listener.

Wilson Bryan Key wrote several books on the topic of how subliminals are used in media and advertising. He of course does not touch on race-most of his analysis has to do with the sexual subliminals, hence the title of his book ‘Subliminal Seduction’. But once you learn to see ‘between the lines’ what was not so obvious before becomes abundantly clear. This applies to the use of not only images and ideas, but words that conjure up images, or a ‘double meaning’.

A good example of this that I noticed is Katy Perry’s song ‘E.T’.

Let’s analyze the lyrics, and also her video. On the lyrics, I’ll place my analysis in red.

Lyrics to ‘E.T’., written By Katy Perry, Kanye West, Dr. Luke, Max Martin, and Ammo

I got a dirty mind, I got filthy ways, I’ma trying to bathe my Ape in your Milky Way

(filthy foreign ways to the white girl-he’s an ape who wants to have sex with her). I’ma a legend I’ma irreverent

(he has no reverence for you or yours)

I’ll be reverend I’ma be so far up-p-p-p… We don’t give a fu-u-u–u….

(He could care less and wants her to feel the same. )

Welcome to the Danger Zone

(She’s in danger)

Step Into The Fantasy

(But go ahead and step in)

You and I invited to the other side of sanity

(What the are doing they know is insane [ape and White sex], but they’ll do it anyway).

They calling me an Alien A Big Headed Astronaut

(Blacks use lots of references to technology in their vids. As though they created anything or are astronauts. They have big heads=arrogance)

Maybe it’s because your boy Yeezy Gets Ass A lot

(They claim they are attacked and considered ‘aliens’ because they get women-or as they say, ‘ass’, a lot)

 ^^^This rap of Kanye’s at the intro of the song is very telling already.

Moving along to Katy. She comes in right here:

You’re so hypnotizing Could you be the devil, could you be an angel

(She’s ‘hypnotized’ by nigger boy. She can’t decide if he’s a ‘devil’ or ‘angel’-bad or good).

Your touch magnetizing Feels like I am floating, leave my body glowing

They say be afraid You’re not like the others, futuristic lover Different DNA, they don’t understand you

(She’s told to be afraid of him-but she considers his being her lover ‘futuristic’. Different DNA, indeed. She understands because she is special-‘they’ don’t understand because they are not ‘open minded’ like she is. Not futuristic.)

You’re from a whole other world A different dimension You open my eyes And I’m ready to go, lead me into the light

(She will go full nigger now, and have this enlightening experience).

Kiss me, k-k-kiss me Infect me with your love, and fill me with your poison Take me, t-t-take me Wanna be your victim, ready for abduction Boy, you’re an alien, your touch so foreign

(Acknowledging that his love will ‘infect’ her and he will fill her with his ‘poison’.

She wants to be a victim and taken away with this alien.)

It’s supernatural, extraterrestrial

(She’s doing something better than natural, it’s ‘supernatural’. She’s going against her nature to be ‘futuristic).

You’re so super sonic Wanna feel your powers, stun me with your lasers Your kiss is cosmic, every move is magic

You’re from a whole other world A different dimension You open my eyes And I’m ready to go, lead me into the light

Kiss me, k-k-kiss me Infect me with your love, and fill me with your poison Take me, t-t-take me Wanna be your victim, ready for abduction Boy, you’re an alien, your touch so foreign It’s supernatural, extraterrestrial

 

Kanye comes in here, and says:

I know a bar out in Mars, Where they driving space ships instead of cars, Cop a Prada space suit about the stars, Getting stupid high, straight out the jar

(Typical nigger babble made cutesy with space references, about bars, name brand clothes, and getting high. He will introduce her to his awesome new ‘world’.)

Pockets on shrek, Rockets on deck. Tell me what’s next, Alien Sex? I’ma disrobe you, Then I’ma probe you. See, I abducted you, So I tell you what to do. I tell you what to do

What to do What to do

(He abducted her so now he owns her-not just physically, but mentally. She will be forever affected. Or ‘infected’ as she sang earlier).

Kiss me, k-k-kiss me Infect me with your love, and fill me with your poison Take me, t-t-take me Wanna be your victim, ready for abduction Boy, you’re an alien, your touch so foreign It’s supernatural, extraterrestrial Extraterrestrial Extraterrestrial

Boy, you’re an alien, your touch so foreign It’s supernatural, extraterrestrial

 

In the video, Katy is shown to be half woman/half animal at the end, and her alien ‘lover’ looks like a nigger with albinism. I think this is meant to illustrate how ‘mixed up’ everything is and in their thinking ‘should be’. Nobody is just one race-or even one species. They stand on the smoky ruins of what used to be ‘earth’. They will go into the future and make it a mixed up heaven of some sort.

Her blue eyes are flashed on the screen a lot as she talks about transcending boring old ‘nature’ and getting futuristic with the ‘alien’.

This is how ‘undue influence’ works, and it’s one of the most important things Whites can learn to recognize and understand.

 

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